Results for: Artist Alumni

Mark Jessett

Mark Jessett is an artist specialising in works on paper. He is co-founder of contemporary art group N-E-W, staging art events and exhibitions in Ashburton, Devon, where he lives.

Tom Hammick

Tom Hammick is a painter and printmaker. His imagery, grounded in uncanny, dream-like settings and glowing with ‘reverent awe’, is informed by a passion for poetry and music, film, wonderment for the environment and deep concerns about climate catastrophe.

Max Eastley

Max Eastley combines kinetic sculpture and sound to create a unique art form. His sculptures exist on the border between the natural environment and human intervention and use the driving forces of electricity, wind, water and ice.

Cass Agazzi Brooks

Cass Agazzi Brooks is an artist based in Plymouth, whose paintings combine real and imagined imagery to reflect upon our strange and beautiful world.

Catherine Cartwright

Catherine Cartwright is a participatory artist who works primarily with printmaking, drawing, collage, animation and artist books.

Ged Quinn

Ged Quinn is known for his richly layered paintings that combine symbolic and surreal elements and transform art historical references into contemporary experience.

Michaela Yearwood-Dan

Michaela Yearwood-Dan (b. 1994, London, UK) creates paintings, works on paper, ceramics, and installations that endeavor to build spaces of community, joy, and abundance.

Portrait taken in preparation for her display at Tate Britain. Art Now. France- Lise McGurn: Sleepless. 29th June - 8th September 2019.

France-Lise Mcgurn

France-Lise McGurn is an artist who lives and works in Glasgow. McGurn’s mixed media figurative practice delivers a wholly immersive experience, her large scale atmospheric paintings escape the canvas and draw the viewer away from the public realm of a gallery, directly into her personal world, the studio, bedroom and her imagination.

Phoebe Boswell

Phoebe Boswell is interested in the liminal space between our collective histories and imagined futures; how we see ourselves and each other, and, consequently, how we free ourselves, or imagine freedom. Her figurative and interdisciplinary practice adopts an errant, diasporic framework, moving intuitively across media from drawing and painting to film, video, sound, and writing, to create immersive installations which affect and are affected by the environments they occupy, by time, gestalt, the layering of sound, the serendipity of loops, and the presence of the audience.

Dexter Dalwood

An avowed master of contemporary history painting for over three decades, Dexter Dalwood translates real-world events into imagined and composite landscapes, furthering the language and narratives of his chosen medium, while acknowledging the weight of all that has come before.